Wednesday, November 8, 2017

2017 Blowout Plans: A Crit Hit Update ('Cause one of these hasn't happened in... about a month)

As some of you may recall, last month I posted a loose slate of releases to come for the rest of the year.

While the slate does remain accurate (all of the projects to come in question will arrive before the close of 2017), the roll out on them will be slightly different than initially anticipated.

What does this mean for you the readers? Very little most likely.

Thursday, October 12, 2017

"My Little Pony: The Movie" review (Featuring Manny Ramirez of MovieMan Madness)


(I REALLY, REALLY, REALLY, REALLY, REALLY, REALLY, REALLY, REALLY, REALLY, REALLY, REALLY, REALLY, REALLY, REALLY, REALLY, REALLY, REALLY, REALLY, REALLY, REALLY, WANTED TO LOVE THIS MOVIE!)

Wednesday, October 4, 2017

That Time of Year Once More: Another Crit Hit Update


Because the quarter doesn’t slip by without a state of my very small nation here on Crit Hit. It’s been a crazy ride since the end of the summer but I couldn’t be more equally terrified and excited for the things that I’m working on next so here’s a brief preview on what’s to come; some predictable and long coming, some surprises, and one major announcement that I’d be lying if I told you I hadn’t vomited in anxiety over. But it’s exciting anxiety so that makes it okay! Right?

Friday, September 15, 2017

Days of Summer Past: A 2017 Progress Report (Part 1)

IGN.com
10 years ago, the theater experience was one of the things that I looked forward to the absolute most out of summer vacation. Today, all I’ve learned is that eventually, we all truly do have to grow up.

Wednesday, August 16, 2017

TV's Grittiest Heroes: Recapping the Impact of the MCU on Netflix (Alias and The Man Without Fear)



While the films of the MCU have been reaping the benefits of a well fleshed out mythos and the interconnectivity of several self sustaining mythologies to regularly solid quality standards and financial success, the television shows never really came into their own until Netflix got involved with the franchise in 2015.

The ABC Network productions have been fairly rocky and time will tell if “Cloak and Dagger” can carve out a new niche in the Marvel Audience on the teen-centric Freeform Network but this weekend, the groundwork begun by the first season of “Daredevil” comes to fruition.

Since I’ve had the misfortune of being unable to cover the previous entries in a timely fashion, now would probably be as good a time as any to run down where I stand on them up to this point, if for no other purposes than to make the leg work of reviewing an entire season of a show culminating the events of 4 distinctly separate shows a tad bit clearer by providing context for my own entry.


These aren’t exactly detailed or deep, just a recap for the records of how I’ve felt about Marvel’s more successful foray into live action television.