Its best trick was making my memories of Agent
F.O.X. disappear.
One of the best parts of this job is being reminded
if how the world can be full of pleasant surprises around every corner.
“Thunder and the House of Magic” isn't exactly
taking home any Oscar nominations any time soon but it has certainly earned
Fromage recognition for the very first achievement of thorough competence by an
animated feature.
This week’s foreign awkwardmation feature, with a surprising
lack of awkwardmation, is brought to us by Belgium and centered on Thunder, a
young recently abandoned stray cat that finds himself in the house of an
eccentric old magician and his pet mouse, rabbit, and a variety off tiny automatons
that he has created to keep himself company and help with his performances. As
Thunder attempts to settle into his new home, his new owner’s nephew, a corrupt
real estate agent, attempts to con his uncle out of his flamboyant home in an
effort to make a massive profit, forcing him into action to protect his new
home and prove himself to his reluctant housemates.
“Thunder and the House of Magic” isn’t winning
points for complexity either. The narrative is a dime a dozen tale with no
surprises within the plot itself. Plenty of surprises do however reside in how
much charm the creators managed to pack into a product that was thinly written
at best.
From the first frame of the film, your sense are
welcomed to something that actually looks like a proper theatrical release with
both a budget and some semblance of effort and the detail of every scene
demonstrates a strong sense of production direction the likes of which I would
rarely catch in mainstream animated films. From the moment Thunder’s owner
releases him onto the street, double taking while walking away, leading to him
chasing the moving vehicle frantically claiming “Wait, you forgot me!,” most
preconceptions of this being the ordinary bargain bin title go out the window.
In fact, the entire film almost gives off the vibe
of the old Famous Studios cartoon shorts from the 50s and 60s. There’s a very
old school charm to the animation of the whimsical setting that Thunder finds
himself in compared to the darkness situation that he had just fallen into and
while it doesn't save the blandness of the writing itself, it does work well with
the solid and consistent voice acting to keep the film engaging enough from
start to finish, without really losing its steam.
I don’t intend to oversell “Thunder and the House of
Magic.” As surprisingly enjoyable as I found it to be, it is above all else a
children’s movie. While the kids are bound to get more out of it than an adult
however, it’s just too sincere and charming to deny that any animation fan
would get a kick out of it as well.
3½ Shatners
Bottom Line: Truth be told, “Thunder and the House of Magic” is
probably better than some theatrically released animated movies of the last few
years.
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