More emotional than the title would have you think.
Adapted from the 2015 novel of the same name, the almost comically titled “I Want to Eat Your Pancreas” relays the story of a nameless protagonist’s brief relationship with his 17 year old classmate Sakura Yamauchi.
Sakura suffers from an affliction that is slowly but surely
shutting down her pancreas, giving her little time left to live and she intends
to do it to the fullest, not wanting drag down her loved ones with knowledge of
her affliction while seizing the opportunity to make do on her desires to go
out with a smile on her face by taking advantage of the protagonist’s
companionship, aware of her disease through an accidental glance of her diary
and helped back from emotional reaction by his own levels of extreme introversion,
allowing her a friend that can be both in her words, honest and normal.
As its premise would suggest, “I Want to Eat Your Pancreas”
aims to tug at the heartstrings through a scenario that you’d have to be flat
out heartless to not be the least bit sympathetic towards. To that end, it has
a lot of unfortunate areas of its make up that don’t quite fire on all
cylinders.
The first half is bloated with a lot of underdeveloped
classroom social dynamics that were clearly intended to have a greater impact
upon the second half than they ultimately do, which leaves their ultimate pay
off in the back end of the movie to feel a little bit lacking, along with the
established relationships feeling kind of like a lapse in writing from a
screenwriter that’s not particularly in touch with the social dynamics of high
schoolers.
Although the second half is generally tighter, it also
manages to succumb to minor moments of schmaltz that offset the balancing act
that it was finally getting into a decent groove executing, not the least of
which becomes the revelation of the protagonist’s name which you’ll easily see
coming from a mile away.
The end result becomes a film that ultimately feels just a
tad bit more lopsided than you’d probably hope for considering the golden age
of theatrically released anime trending towards the dramatic rather than the
fantastical that we seem to be finding ourselves in stateside.
What ultimately ties and holds “I Want to Eat Your Pancreas”
together however is the genuine sweetness of the relationship it follows.
The protagonist never comes off as the sort of insulting
caricature of an introvert that’s so easy to portray in fiction but is clearly
in desperate need of the growth his heart shattering journey is destined to
give him and although Sakura herself begins the movie a bit too boisterous, it
doesn’t take long for her to reveal that there’s more going on behind the smile
she puts on for the world, as she learns to be aware of the fact that her
actions in life are going to affect more people than herself.
Their brief time together explores different aspects of adventure,
enrichment, and intimacy that aren’t always comfortable to grapple with in the
best of circumstances but are unavoidable when discussing one’s impending and
anticipated demise, ringing particularly powerfully in watching somebody so
young have to grapple with these issues of mortality long before they should
ever have to, while surrounded by colleagues concerned with the long bright
futures ahead of them.
It’s a relationship that skirts lines, gets awkward, can dip
into light spots of toxicity, but ultimately settles on being sweet, heartwarming,
and beautiful.
As Sakura and the protagonist carry the movie forward, the
inevitable gut punch of the finale lands with an event you know was coming to
pass in the way you would absolutely least anticipate it and this is the moment
when the film rises above whatever structural issues it may have had to end on
the note of poignancy it fought to build up throughout the feature.
“I Want to Eat Your Pancreas” isn’t quite a new modern
classic in the making but its sweet nature leading to a deceptively powerful
conclusion give it more dramatic bite than the silliness of its name would have
you believe and despite the relationship of its narrative playing fast and
loose with an explicit romantic label, is the perfect treat for a coming
Valentine’s Day week release.
7 Last Wills and Testaments out of 10
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