Monday, September 17, 2018

Happily Never After: Parting Words

Image Source: 50 Shades of Animation

Revisiting the best and worst one more time, along with looking at some continuations I wouldn't mind.

Best


“Simba’s Pride” may be heavily flawed but it also had the most potential which easily puts it above most of its competition.

For whatever technical flaws it may have, when it’s good, it’s great and at the very least carries itself with a sincerity that doesn’t damage the legacy immediately preceding it.



“Cinderella III’s” twist on its tale may be a simple one but it milks it for all its absolute worth to full effect.

What was once one note becomes far more fleshed out and what could be considered contrived in the original (not by yours truly but I digress) is lovingly poked fun at for a sequel that serves as a far superior companion piece to the first movie than the embarrassing pilot preceding it.



In some ways, “Bambi II’s” decompression and expansion of a point of significance in the young prince’s life is a bit of a contradiction to what made the first film great. Fortunately, the humanization nonetheless manages to work in creating a relatably engaging narrative of a family coping with trauma that manages to hold onto much of the quaint charm that has made the original an endearing classic.




In following the trend of the good sequel being the ones that actually invert the formulas to the movies that they follow up, “101 Dalmatians II” forgoes the tantalizing but futile effort to characterize all 99 individual puppies in favor of focusing on just one and what it means to be one member of a family household so large, to fairly charming effect.



While I occasionally battle with myself on whether or not “Aladdin and the King of Thieves”  is the best of the sequels, there’s no doubt in my mind that it’s one of the most sincere and that goes further than just about anything that I’ve seen from this line over the last 2 years.

Characters develop and drama builds and resolves itself organically in a sequel that feels not only natural as a progression of the narrative it was born from but even at home with the primary text its franchise is based on.

Considering the films listed below, that’s an admirable amount of effort.

Worst


“Lady and the Tramp 2” is the singing Disney animal equivalent of that kid that thought he was hard, ran away because his dad just “didn’t understand him,” and got found beaten up the next day by the real hardasses of the street only to sulk to his room and regress deeper into his Hot Topic phase that he’ll be embarrassed by during the college years.

We hated seeing actual people going through those years so why should we watch the Disney version of it?


At the risk of setting off some cultural land mines, can we stop commenting on questionable practices of ancient cultures in stories set in those cultures when we know the commentary won’t be headed for hundreds of years? Pointing out the mistakes of the past don’t make us look smarter, it just reminds us that we’re running from the screw ups of the present that we don’t want to deal with.


Honestly the only reason I couldn’t put this at number one based on the audacity of its concept alone is because that very audacity makes it too fascinating to ruminate on.

Todd and Copper join of country band. Damn Disney, really?


I’m not saying that the work of Edgar Rice Burroughs doesn’t require some cultural unpacking, but even watered down versions of his worst concepts would have been better than this.

You wasted a good material and George Carlin. Shame on you Disney.



I honestly don’t think there’s anything I can say here that a single frame of the movie on YouTube can’t speak more adequately for me.


The Pipe Dream


No follow-ups, lists, or qualifiers. I’ve sat through some of Disney’s worst and at this point its just me begging for some recompense in return

The level of world building on display in “Zootopia” puts some live action films to shame and I don’t want to see it wasted.

Keep the adventures of Wilde and Hopps going. Spin off into new characters. Do an anthology of loosely connected stories within the city with different perspectives. Make a comic book. Make a TV show. For god’s sake, put that new streaming service to good use.

I’ve spent 2 years hating the decision to make sequels coming from Disney yet here’s one I’m actively willing to risk disappointment on. Get cracking House of Mouse.

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